Notebook Entries on {category_name}

Beautiful video of 10,000+ sky lanterns floating and glowing across the night sky.

Maya Lin’s original submission for the Vietnam Veterans Memorial included architectural drawings and a one page description. Her entry was chosen out of 1,421 submisions.

A reminder that with strong design, less is often more.

Celebrating the past 5 years, T Magazine presents the best “well” openers - the iconic T’s created by contemporary artists and designers.

Brooklyn Fare rolls out a clever line of food packaging that conveys a smart-though-cheeky brand that’s not afraid to jab at the competition.

Rip huge. Surfboard Logo Library curates a collection of logos waxed into the identity of surfing.

Functional and visually striking redesign of US paper currency crafted by Michael Tyznik as part of the Dollar ReDe$ign Project.

An look back at the logo design trends of 2009.

Swanswell commits to making life’s wrinkles well with an innovative identity that’s part clever word mark, part creative texturing.

Beautiful and rustic, handmade furniture crafted from reclaimed lumber by Studio Moe.

Hand-drawn illustrations by a dad who makes a new piece of lunch bag art each day for his kids during his lunch break at work. Incredibly fun.

A collection of 150 vintage airline logos from around the world, courtesy of the Museum of Flight.

Moustaches, googley-eyes, schnozes - oh my! Children’s store Our Childrens Gorilla takes mundane packing tape to new heights of expression.

A collection of photos that would make apt banners for yet-to-be-founded nations.

As the name implies, a visual collection of the world’s subway systems drawn to the same scale. Great for eyeballing the sprawling size of Seoul compared to the relative simplicity of Vancouver.

The Ministry of Type takes a squinty-eyed look at the pixel-perfect attention to detail in the Xerox Star UI.

A collection of heavy-hitter logos, all designed with the ubiquitous Helvetica.

Infographics from Time’s Joe Lertola featuring 3D cartography.

Jacek Utko opines about the role design can take in revitalizing the modern newspaper at TED.

Intricate paper typography made by hand (via Coudal).

A collection of articles and tutorials on graphic design, including some previously linked to from this site.

For the five-year-old designer inside all of us, ColourLovers nails down the Crayola color palette for onscreen design. Now you can design your links in Burnt Sienna, Carnation Pink, Cornflower or traditional Blue.

Lexington, Kentucky sports a logo of a different color for the World Equestrian Games, courtesy of Pentagram.

To me, this is what branding is all about. It’s iconic; it’s creative while keeping true to the client; and I love the saddle-blanket-as-event-banner concept.

Layer Tennis luchador Armin Vit puts five typographic terms in an illustrative headlock in round one of the March 20, 2009, Coudal Partners’ Layer Tennis match.

Inspiring set of logos from Argentinean designer Ignacio Macri (via Simplebits)

While bullfighting elicits a range of emotions from fans and critics, these infografias sobre tauromaquia (infographics on bullfighting) from Spain garner cheers of “Olé!” for their creative spreads diagramming the ritual and pageantry of bullfighting. Also worth applauding, these bullfighting infographics from countries beyond the Iberian Penninsula.

In-floor bathtubs bring openness and the vibe of jacuzzi luxury to European homes. I just hope they come with a cover so that you don’t accidently fall in.

Red-hot modular outdoor kitchen by Fuego (via Coudal).

Graphic designer Michael Bierut on the importance of notebooks.

The notebooks function like a security blanket for me. I can’t go into a meeting unless I have my current notebook in my hand, even if I never open it.

I agree. More how Michael Bierut use of design notebooks (via 43 Folders).

A New York Times profile by Pentagram partner and graphic designer Michael Bierut:

When I arrived for class on Monday, my poster was in every hallway, in every stairwell and on every bulletin board in school. Among my peers, I was considered a good artist, but the miracle of mass production took things to a different level. More people saw my poster than would see the play. It was then that I decided to become a graphic designer.

An amazing photo-field trip inside the Graphic Design Archives at the Rochester Institute of Technology. The Graphic Design Archives includes one of the most complete collections of the work of American graphic designers from 1950–1980 including works by Paul Rand, Lester Beall, Saul Bass and others.

MoMA’s Creative Director for Graphics and Advertising Julia Hoffmann reapplies the iconic MoMA logotype with the help of Pentagram, bringing a much more modern feel to the museum’s printed collateral.

Breathtaking, in a good way: MoMA’s takeover of the Atlantic Avenue/Pacific Street subway station.

In a gift to the city’s subway riders, MoMA takes over Brooklyn’s Atlantic Avenue/Pacific Street subway station, filling the station with reproductions of over 50 works of art in the MoMA collection. 24 hours a day, 7 days a week, walk through the station to see images of works by Pablo Picasso, Vincent van Gogh, Charles Eames, Cindy Sherman, Andy Warhol, and many other great artists, filmmakers, and designers.

Brand New on the justification behind Pepsi’s new identity system:

The contents are at once hilarious, pretentious and delirious as they try to establish Pepsi as the center of the universe.

Considering the time and effort that went into the creation of this document will literally take your breath away.

An incredibly dense resource for all things Paul Rand including a gallery of work, biography and overview of the designer’s philosophy.

A great collection of movie poster and logo designs by the eminent Saul Bass.

Redesigned by Pentagram partner Paula Scher, the new identity for the New York Philharmonic challenged my preconceptions about italic text. I love the simplicity, the clarity of message and the attention to typographic detail, but what really blew me away were the branding applications for products and collateral. With this success, Scher completes a typographic trifecta including her logos for The Metropolitan Opera and the New York City Ballet.

Identities from all 50 states.

Computerlove links up a set of arrestingly gorgeous illustrations by Russian graphic artist Yulia Brodskaya.

Billed as “the ultimate resource in grid systems,” The Grid System offers articles, tutorials and other resources for designers needing help getting their ducks in a row.

Pentagram’s stunning and intricately detailed cover design for Penguin Books’ Quantum of Solace: The Complete James Bond Short Stories.

Frutiger, Spiekermann and other typography legends exhibit their skill on the small canvas of the postage stamp.

From recycled books to stick on nametags, Virgil O. Stamps is not afraid to letterpress anything, and the results are inspiring.

Rubik + Pantone = Rubikone. Clever and gorgeous.

Inspiring typography unearthed from the collections of the New York Public Library by Hoefler & Frere Jones.

At once warm and whimsical, organic and off-the-wall, browse the treasure trove of hand-crafted typography by the folks at Hand Made Font.

Pentagram designs the identity and brand structure for 100% Design, an international series of architecture and design showcases, featuring tightly-executed geometric sans-serif typography.

Idée’s Multicolr Search Lab (via Kottke) looks like another must-have tool for the designers arsenal. Pick up to ten colors, and you’ll get back a gallery of the most interesting Flickr photos that match.

Here’s a sample gallery that matches this site’s pallette. Addictive.

Comprehensive BBC documentary of Harry Beck’s iconic London Underground Map.

Great illustrations inspired by Mad Men.

The comprehensive resource dedicated to photogravure (via Coudal).

Elements of the power infrastructure converge in silhouette to form this remake of the 16th century classic typeface.

The whimsical, winning entry for the new Sherwood Forest Visitor Complex, from Make.

A great collection of vintage ads from the Mad Men era of the 1950s and 1960s.

Modern, yet whimsical, way-finding signs designed for the West London Academy (via Coudal). I love the use of silhouettes and the natural way they add meaning to the signs they accompany.

Amazing collection of posters commissioned and collected by the London Underground (via Coudal). My favorite: The Tate Gallery by Tube.

Halloween fun for bringing an old Mac Classic back from the dead.

Vast collection of posters from the National Theatre’s archives (via Coudal). The ebb and flow between illustration and photography is great as well as decoding the sometimes tangential relationship between poster and plot.

A great overview of information design with a bent toward advocacy marketing from Tactical Technology Collective.

A visual history of 50 well-known logo designs from Adobe to Yamaha.

I have a penchant for typography and a newly-found obsession with Mad Men. Mark Simonson’s typographic scrutiny of AMC‘s hit TV show combines both. Outta sight.

Pixel-perfect wedding invitations self-designed by Panic’s Cabel Sasser, beautifully letter-pressed and complete with matching website for RSVP’s.

The team behind the identity for the Vancouver 2010 winter Olympic Games reflects on the research and creative process used to create the branding. Although the use of the coined-to-be-catch-word transmoflection is over-the-top, I really like the concept of visually blending natural and man-made elements into a kind of bio-urban fusion used throughout the identity.

Flickr set of logos from the mid-1970s.

Twelve of the most iconic logos designed by the legendary Saul Bass.

Thirty fonts for every designer’s arsenal from Jacob Cass at Just Creative Design.

Skull and crossbones adorn this exhibition of vintage poison labels.

CNN hired legendary letterpress shop Hatch Show Print to design and print promotional materials for the upcoming debate, because you can’t beat the real thing. Awesome.

Flickr gallery of bento, the traditional Japanese box lunch.

Sydney-based designer Christopher Doyle created a set of identity guidelines — for himself — and then entered them in an Australian design competition.

If you’ve ever worked with identity guidelines, it’s a great joke at the expense of control-obsessed designers.

5 pine planks (each 6 feet), 5 metal brackets, tools and materials from the gallery utility closet or found on the gallery grounds. Each of the five shelves that comprise this work is balanced on a single bracket. All maintain their level balance by the precise placement of the objects they bear.

Very cool installation of counterbalanced shelves. Do not touch, indeed.

Of all human activities, creativity comes closest to providing the fulfillment we all hope to get in our lives. Call it full-blast living.

Psychology Today reviews their ten paradoxical traits of the creative personality.

Des Traynor at Contrast:

It’s the second you stop thinking about what the problem you’re attempting to solve, and start mindlessly doing what the client wants…I call it flicking the switch.

Don’t do it.

Geo-tree map illustrating worldwide consumer spending habits, from the New York Times interactive team.

Billed as “the simplest weather report ever,” this site is made for today’s deluge.

AIGA’s dialogue between Steve Portigal and Dan Soltzberg on the importance of noticing and the proclivity of designers to ‘super-notice’ their surroundings.

Saul Bass takes an in-depth look at some of his most memorable film title sequences.

Free GUI elements for creating iPhone design prototypes in Photoshop.

Poggenpohl and Porsche team up for a sleek, minimalist redesign of the kitchen. The attention to detail is even more amazing than you expect.

Unfortunately, because of technical limitations in voting equipment, misguided local laws, short time frames and tight budgets, many ballots will repeat design mistakes made in past elections. But with access to new ballot design guidelines, officials can now make significant improvements in election accuracy and voter confidence.

AIGA redesigns the traditionally dense American ballot and demonstrates the potential impact of design on democratic society.

As if you needed another reason to travel to NYC, here’s a sneak-peek at JetBlue’s redesigned food court at JFK’s Terminal 5, opening October 1.

Colour Lovers explores the design of the Olympic Games and the colors used to brand them with a collection of posters from 1896 and accompanying color palettes derived from the images.

Artemy Lebedev speaks to some common typographical issues surrounding punctuation. Required reading for typophiles, designers, writers and even desktop publishers.

Black, white and beautiful. Masterfully monochrome identity designed by Pentagram for the San Francisco Symphony’s 2008 Black and White Ball.

Photos of every Olympic medal made — summer and winter.

Kontra explains why don’t we see concept products from Apple?

Because, to paraphrase Jobs, real artists ship.

(via Gruber)

Simple site design, engaging interactive features and a solid case for Smart Car ownership. I watched all the way through; too bad they’re sold only in the UK.

Soon-to-become iconic pictograms from the Beijing Olympics. I love the elegance of the joint-less, abstract figures.

The replete style book given to all writers at The Economist — in online form.

Another well-designed interactive feature from the New York Times covering the history of the Olympic torch.

Mark Boulton turns his 20/20 typographic vision to the art of sign design. His advice: don’t screw with conventions.

 

More than 150 metro logos from around the world.

Really cool stop-motion animation by PES (via 37signals). Incredible.

Ira Glass:

Most everybody I know, who does interesting creative work, went through a phase of years where they had really good taste and they could tell that what they were making wasn’t as good as they wanted it to be…It’s totally normal.

An honest and reassuring look at the creative process from NPR’s Ira Glass.

Zeldman nails the relationship between content and design, in 14 words.

Interesting collection of corporate Web identity guidelines to correspond with the redesign of the BBC Web site.

Assorted world maps from Web Resources Depot.

Addictively intuitive Mad magazine fold-ins from 1960 to the present.

Another great online interactive feature from the New York Times.

The fast-becoming-classic illustration of change blindness — the phenomena that we only see what we’re looking for, regardless of what else may be going on around us.

24 ways continues their web design-themed advent celebration with Mark Boulton’s introduction to the proper use of typography for tabular information.

Clever and legitimate responses to classic, project-derailing client questions.

Rich interactive site featuring the life and work of da Vinci